A state of trance: Inner peace rising from chaos

The experience of getting inside Sound Academy for Armin van Buuren was the low point of the night.

After an evening of rain and dancing at the electronic music festival Digital Dreams in Toronto, we’d somehow made it across town to finally experience the king of trance live. While waiting in line, I learned something interesting: the reason the bouncers take their sweet time checking IDs is because they have incentive to keep people waiting. The bribe to get inside without waiting is called a “line bypass” and that night they were charging $40 per person. What really shocked me, though, was that the people in line behind us were actually considering paying it.

Armin.

Armin.

When we finally got past the first step, the bag-searching girls were seriously pissed off at life. They were lined up in two rows of three, with a seventh girl ushering people forward from the lineup. “Next! Next! …NEEEEXT!” one of them yelled angrily. “Hey, nicely!” the usher in front called back, looking just as annoyed. The woman who searched my bag almost didn’t let me in with my own medication. “This can’t come in,” she said, squinting at the orange bottle. “It’s my own medication, with my name on it… My legal prescription,” I emphasized to her incredulously, when she still didn’t give it back. She looked at me, examined it, then tossed it back into my bag. She took my sealed bag of cookies and a half empty bag of cashews. “Does anyone want any cashews?” I called back to the line. Big mistake. The ladies were pissed. “We don’t have time for this shit!” one said. When she realised that I had not one, but two (very small) bags to search, she let out a noise indicating her thorough disgust for how difficult I was apparently making her job. She stuck her hands underneath my bra through my shirt, and I was glad I had stashed my single precious electrolye tablet in my pants. (They’re called Nuuns, like portable, bottle-cap-sized Gatorade tablets. I’d only brought one inside a ziploc, but my suspicion that they would have taken it away was confirmed by this thorough shake-down.) My partner Diego said they made him dump out his Platypus and gave his junk a good squeeze. To their credit, at least they were getting people in as quickly as possible. I suppose this efficient, grabby circus is still better than waiting even longer.

It was 1 am by the time we got in. But it was worth it. Oh my, was it ever worth it.

At Digital Dreams, a few hours earlier.

At Digital Dreams, a few hours earlier.

Armin was incredible. That was the first thing I noticed as my eyes adjusted to the flashing lights. I could feel the music shaking the floor and my brain. I was surprised at how gigantic Sound Academy was inside. The light show was a nonstop onslaught in time with the beat; the strobes were even a bit too bright for my tastes.

It was very, very hot in there, especially once we started dancing. I eventually took my shirt off and danced in just my bra and zebra tights, joining the hundreds of other men and women who’d done the same. It’s a beautiful thing, being in a place where a girl can take her top off and nobody bats an eye, aside from maybe a concurring high-five or two from the also-shirtless around her. The PLUR ethos notwithstanding, slut-shaming and misogyny is rampant in some darker parts of the electronic music scene, especially online. Every single woman I’ve talked to has shared negative experiences about their comfort, and sometimes safety, at some point. There are some events at which I would never consider taking my shirt off, even if it felt like we were dancing on the surface of the sun (which it often does). Even just dancing on my own sometimes draws uncomfortable attention from leering, droopy-lidded eyes, though I should note that happens significantly less in electronic music-focused environments than in regular clubs. But here, it didn’t matter. The connections with the real world of social cues and self-consciousness were cut and forgotten inside a sea of sound.

I became lost in the music. I’d been dying to see Armin for years and it was every bit as beautiful as any set I’d heard by him, multiplied by the inimitable sensation of being able to see and feel it and experience it with other people who felt the same way. Later I would find out that this was his second show that same day, the other one being in Ottawa. Which means that he closed out a festival 450km away, got on a plane, flew to Toronto, and went straight to Sound Academy to play. Knowing that, the energy and feeling he put into the show was even more impressive.

Dance 'til you literally need to tape your legs together to keep going.

Dance ’til you literally need to tape your legs together to keep going.

By 2:30 am, three straight days of dancing were screaming from my lower back. I went to sit down against the wall, joining a few others who’d set up camp there. I found a poncho and spread it out on the floor to cover the miscellaneous liquid spills.

“Hi, I’m Karen,” said the girl beside me. She was sitting for the exact same reason. We had one of those great chats where later, you can’t remember exactly what you talked about, just that it was lovely. I do remember that her best friend, who came to sit with us at one point, had blown out her knees—from raving too much. Which is as unbelievably badass as it is shitty. She used something called KT tape to “keep her knees from falling apart”, which I made a note to look into, thinking about how all of my favourite activities are terrible for my knees (hiking, snowboarding, dancing). They already hurt sometimes the morning after a long night.

A guy that turned out to be Karen’s boyfriend came up to her. “Are you alright?” he asked. “Yeah I’m fine,” she reassured him. “My back hurts, I’m just chilling.” He gave her a kiss and walked away. Karen explained that they’d made a check-in plan, where he would come find her at 3 am. She showed me her phone. It was 2:55. The mix of sweetness and responible raving genuinely warmed my heart. (The More You Rave!™)

Karen's diffraction glasses.

Karen’s diffraction glasses.

As I stood up to dance, Karen lent me her diffraction glasses, which turned the lights into an overwhelming kaleidoscope of colours. Now, I’m no good at meditation. I want to be, I really do. But until I get better at it, or my knees give out, there is another way to calm the nonstop onslaught of thoughts and memories and emotions and analysis that cycles from the first drawn breath in the morning until sleep overtakes at night. For myself and many others, the only way to quiet the mental noise is to be immersed in sensory overload, rather than sensory deprivaton. Your eyes are flooded with colour and light, your entire body is an extension of the music that’s being sculpted in real time all around you, and with every person you lock eyes with, you know they’re feeling the exact same thing. There’s an untouchable inner peace that rises out of the chaos, and connects you to others. It’s raw and it’s real, no matter how often it’s dismissed by those who don’t understand it.

* * *

A state of trance.

Toronto Trance Family, representing in the front.

I met Matt, a skinny guy with a very calming presence, in the same spot where I’d met Karen. “So what kind of music do you like?” he asked me. I looked up at Armin from our vantage point on the floor, across a sea of faces, visible through white and pink flashes. He had just mixed “We’re All We Need” by Above & Beyond into his set, officially melting me into a mushy pile of joy. “…Apparently I like trance!” I replied. The smiling, knowing look on his face—eyes closed, hands raised, yet another trance convert—reminded me of a young woman I’d interviewed. She’d told me about going through various different genres of EDM before realising that trance was the one that resonated with her the most. I still don’t have a single favourite genre, but I now have a top three.

Matt was sober that night. “I drew the short straw. I’m DD tonight. But as long as I have trance,” he said as he spread his arms wide to the world of ceaseless movement in front of us, “I’m good.”

Matt’s friends were upstairs. “There’s an upstairs?” I asked. “There is. Grab your husband and I’ll show you.” There were only a hundred or so people up there. Deep Dish, who was almost invisible, was buried in the darkness with people dancing on all sides of him, making him seem like a part of the crowd.

We went outside for some cold air. The view of the Toronto skyline, lit up in the dark sky, was beautiful. The slightest hint of a sunrise was warming the deep blue atmosphere. I didn’t bother to take a photo, figuring stupidly that I’d be back some other time to take it. I wish I had. Some other time will not be that time.

2015-06-29 02.34.18

I would get much better photos if they’d let me bring my damn DSLR into events. But this blurry mess actually captures the essence pretty well.

Back downstairs, a new song came on, and Diego froze and listened for about two seconds. He then ran so fast to the front he left a dusty trail like a cartoon roadrunner. Armin had started remixing the Game of Thrones theme song.

* * *

I tried to keep dancing through my exhaustion, savouring every second of the music. Armin slowed it down, and spoke.

“Many people ask me, what is trance for you,” he said. The lights surrounding him were blue and vibrant.

“Let me show you. If I can.”

A gently rising piano cushioned his words.

“Trance is a feeling.”

Every eye was on him. Even the cheers had died down. I felt Diego’s hand clasp mine.

“Now if you will, please. Raise your hands, and close your eyes.”

A State Of Trance

The music grew stronger as we all raised our hands high. Armin did too. I closed my eyes. A second later, the beat dropped. It was Ferry Corsten/Gouryella’s Anahera.

“Do you feel that?”

Cheers were erupting. I opened my eyes. The guy beside me had tears in his.

“I said Toronto, do you feel that?” LED stars shot from Armin where he stood. Thousands of hands were up in the air, and he was right. This wasn’t something you just heard. You could feel it.

“This… is a state of trance, ladies and gentlemen.”

* * *

It was 4:15 am. We hugged Matt goodbye outside, and talked about interviewing him for my research. “I definitely have lots of stories. Lots of good stories, lots of…” he paused. “Well actually, no bad stories.” I was surprised. “No bad stories?” Matt shook his head and smiled. “They were all learning experiences. Not bad stories.”

The photo I did end up getting of the skyline, on the walk home. Using my shitty, shitty iPhone 4S.

The photo I did end up getting of the skyline, on the walk home. Using my shitty, shitty iPhone 4S.

We walked the muddy 3.5 km to Union Station, refusing to be party to the disgusting system of late-night Toronto cab extortion—they wanted $50 to take us, and would roll up their windows if we asked about putting the meter on. Apparently most of them won’t even take you unless you’re going somewhere well outside of the Toronto core, like Mississauga or Richmond Hill. As we started walking, we watched a couple of guys trying to flag down cabs that would drive right by them. I had a flashback to scenes I’d seen in shows of black guys in New York not being able to get cabs. It was eerily familiar, though I’m pretty sure these cabbies didn’t care that they were black—they just knew that if these two guys were willing to walk away from the club, they weren’t willing to pay the outrageous fees.

It took us an hour to walk to Union. We got directions from a guy on the side of the road who looked like he had no good reason for loitering underneath the Gardiner at 5 am on a Monday. It was a rough walk. We were thirsty, hungry and exhausted. It felt like being on a hiking trip, at the end of a long day when you’re still not close to your campsite and have no choice but to keep going. My brain was full of happiness, but my body was hanging by a thread. A few other people were walking home too. We walked for a bit with another couple, all of us too tired to say very much, but feeling the same glow.

As I waited by the bus stop at Union Station for my partner, who went to find us some food, I lay down on a low concrete wall behind a bench, drinking water and watching a building slowly turn pink with reflected sunrise. The windows were wiggling and the walls were bending. I could still hear music in my head. The sight of ­Diego walking back from his long journey to the train part of Union was like a bolt of sunrise warming my face. It might have been the worst bagel I’ve ever had, but it was food. Seagulls crowded around to grab at our fallen crumbs.

Off camera: The pink building.

Off camera: The pink building.

The bus left at 5:50 am. As soon as it pulled up, I was hit with a strong need to pee, but it was too late. We spent the whole ride reminiscing, snuggling, and talking nonstop. We were glad that we’d taken our chatty selves all the way to the back of the bus, away from the silent and tired early-morning commuters. Diego told me about how he’d run into a group of guys inside Union while he was getting us food. They’d also been at Sound Academy, but didn’t enjoy it as much as the rest of us because “there were no girls!” The idea of boner-blinders strong enough to make a person oblivious to the magic happening between Armin and the crowd was astounding. Not to mention, they could have chosen a less expensive event if they were just trying to pick up.

A terrible shot of an amazing sunrise on the bus ride home.

An amazing sunrise on the bus ride home frames an amazing billboard.

At 6:30, the bus dropped us off and I immediately ran down a hill to pee behind a tree. The people from the bus could probably see me, about which I gave absolutely zero fucks. My bladder hurt. Twenty minutes later, home and exhausted, I stuffed a bunch of chips and tzatziki in my mouth and fell asleep with my clothes still on.

I didn’t wake up until 7 pm. But I woke up smiling.

Note: All names have been changed. These are experiences and reflections based on my current field work. My ideas and assumptions are quite possibly totally wrong, so I happily invite you to comment and change my perspective.

Thanks to Saruj Patres, who posted a video of Armin’s speech on Toronto Trance Family facebook page. I went on there the next day, hoping that someone had captured it, and he did.


If you like my writing, please consider supporting me on Patreon, or sending some diapers for my baby from my Amazon list 🙂 I’m a low-income grad student and new mom trying to fight against the devastation of the Drug War—every little bit helps.

Find me on Twitter ranting about drug policy, criminal justice reform, anti-capitalism, psychedelics and anthropology: @HilaryAgro

Psytrance, a world unto itself

Most of what I knew about psytrance (psychedelic trance) raves before I actually went to one came from this article in Vice:

Psytrance really is a counter-culture in the truest sense. The music is harsh, the clothes are weird, the drugs are strong, the best parties are illegal. This isn’t a scene you can enter half-heartedly; nobody is having their birthday drinks at places like this – it’s too intense, too esoteric for the casual partygoer.

It’s a piece that has always stuck with me since I first read it. I have loved “ethnography for the masses” journalism since before I knew what anthropology was; that fish-out-of-water, Gonzo style, with authors who are able to successfully suspend their WASPy disbelief and experience a new and strange environment with a more-or-less open mind, broadening their view of how life can be lived. Though at one point the above article devolves somewhat into gawkish weirdo-porn—”Look at all the funny clothing! Are these kids nuts or what!”—it hints at something unique about psytrance that I was curious to see for myself.

File 2015-07-01, 1 13 07 AMMy partner and I showed up around 11, dressed in shorts for the beach theme. Blow-up sharks and beach umbrellas hung around the dance floor, which was sparsely populated by a core group of around ten people, mostly men, already dancing hard. Leaning into the intensity of the music, arms pumping and flailing. More people stood chatting and dancing throughout the rest of the club. Everyone looked happy, even if some were too focused on dancing to be smiling. It was a relatively older crowd in here (mid- to late-twenties) than at some other events I’d been to. Some were in classic raver outfits—fur boots, kandi, huge baggy pants, stuffed-animal backpacks, that same sort of neon-sexualised childlike look, like laser-show camoflauge.

“I have no idea what kinda drugs that guy must be on.” My partner pointed to a man who was swaying from side to side with a vacant look and half-open mouth. My guess, a dissociative of some kind. Ketamine, or GHB maybe. A bit too much, either way. But most people seemed clear-headed, if not exactly sober.

A beach ball went flying past my head as I went to buy a beer. The music was good, already stirring up a pretty strong desire in me to dance. We went upstairs to a second level overlooking the dance floor and sipped our beers. A man wearing an “I Believe” alien shirt walked past us and pulled out a small baggie of blue pills. It was done so blatantly out in the open, my partner figured he wouldn’t mind if he asked the guy what he was going to take. They exchanged words I couldn’t hear under the pumping music, and I saw my partner laugh. He came back.

Do a google search for

Thanks, disembodied tangle of arms! (Source)

“They’re not pills. They’re earplugs,” he grinned.

I ended up having a great chat with Derek about the rave scene, after I complimented him on his decision to wear earplugs. He’d been going to dance music events since the birth of acid house in the late 80’s. We watched the crowd stomp around from our second-floor vantage point. Everyone looked a little different, a little unique. Though most of the crowd was white, there were people of all shapes and sizes and configurations of dreadlocks. There were no binary gender categories in charge here. Visually, this was a very different crowd from folks at more popular EDM events. It was the misfit table in your high school cafeteria, all grown up and not giving a fuck. I liked it. I felt at home. These weirdos knew how to party.

“Everything’s changed,” said Derek, as we continued to chat about the dance music scene. “It used to be about the people—the DJ wasn’t the centre of attention, now it’s all about ego…” This wasn’t the case at the events hosted by the organizers of this one, though, he said. He liked events held by these guys. But his words made perfect sense in what has become an increasingly monetized and corporate electronic music scene. The fact that a formerly niche music genre like EDM (contested though the term is) has exploded in North America in the last three years is shaping a lot of how the scene functions today. The effects of this explosion are everywhere. DJs are the new rock stars. Huge EDM festivals are popping up overnight on the map like mushrooms after a rain, so much that talk about market oversaturation has already begun—young people only have so much money to spend on summer festivals, and most can only afford one or two a year (though social media and FOMO are affecting these decisions as well). Celebrity actors-turned-DJs are using their clout to cash in on EDM’s popularity—Hodor from Game of Thrones calls his bookings “Rave of Thrones”, Bryan Cranston made a surprise appearance at EDC a couple weeks ago, and Paris Hilton is slated to DJ at Cabana in Toronto soon—though most of the online buzz around this fact ranges from not taking her seriously, to outright hostility at her “buying her way into the scene” where talented DJs could play instead. (To his credit, Hodor (Kristian Nairn) is apparently pretty good.) Gigantic rave cruises are spawning knock-offs and the Full Moon Parties in Thailand get bigger by the thousands every year. And Superbowl-sized LED screens blast the names of DJs in multicoloured glory as they pose for that iconic shot in front of the ecstatic crowd, arms wide, godlike, drinking in the adulation.

I'M YOUR GOD NOW

I’M YOUR GOD NOW.

Back at the beach-themed psytrance rave however, it was 12:30 am, the dance floor was filling up and a pink-haired DJ who turned out to be my favourite of the night was taking over. No LED screens, no antics, no huge crowd. The dancers cheered him on after a particularly complex bit of mixing. He shook his head and bowed to them, arms out, palms down, as if in worship.

There was an unique kind of unity in the dancing style I saw at this event, different from that seen at more mainstream EDM events. This was very… Well, what you’d have to call ‘frenzied’. It matched the music perfectly. Everyone is in their own little world; there’s less dancing together in tight pairs or groups, more space to move around and be creative. But you can still feel that it’s a collective activity. We’re all still in this together as a group, united by the music and the freedom to just be weird and dance however we want. Interestingly, there was a noticeable lack of sexuality about the dancing here. I wasn’t sure why, but I got the feeling that someone trying to dance provocatively, or any sort of sexual attention-seeking, would be frowned upon and probably mocked. It would be out of place, an unwanted break-in from the mainstream world of bros and Kanye’s “drunk-and-hot girls” that these people are trying to escape. Where they don’t fit in and don’t know the rules, don’t know how to fake it and have rejected the idea that they should have to.

1:50 am.

1:50 am.

However, just as I was thinking to myself, “Everyone is dancing so damn hard, it would be pretty difficult to hit on someone here anyway,” my partner pointed out a hip-humper (a guy dancing crotch-first against a girl) at the front. Turns out she was into it, though. Later on in the night, my partner ended up accidentally interrupting them upstairs outside the bathroom, his hand up her skirt.

At 2:35 am, we hugged Derek goodbye and began our journey home. We weren’t sure exactly what we’d just experienced, but we knew that we liked it. We’d be back for more.

Note: Real names have been changed. These are experiences and reflections based on my current field work. My ideas and assumptions are quite possibly totally wrong, so I happily invite you to comment and change my perspective.


If you like my writing, please consider supporting me on Patreon, or sending some diapers for my baby from my Amazon list 🙂 I’m a low-income grad student and new mom trying to fight against the devastation of the Drug War—every little bit helps.

Find me on Twitter ranting about drug policy, criminal justice reform, anti-capitalism, psychedelics and anthropology: @HilaryAgro

Eat, sleep, anth, repeat: It begins

Sunglasses in the darkness. White shorts, no shirt. Perspiration shining on his skin in the wild, flashing lights. A familiar-looking backpack on his shoulders, strapped over his muscular chest. I used to sell those backpacks. I worked at an outdoor gear store for a year and a half—tents, sleeping bags, hiking poles, boots. And Platypus backpacks. They come with water bladders and an attached tube that sits on your shoulder so you can stay hydrated while you’re hiking. “They’re amazing,” I used to tell customers, and I meant it. “You don’t have to keep stopping to get out your water bottle.”

The dancing man in front of me took a sip from his pack. “Check it out,” I grabbed my partner and pointed. His eyes widened. He was as delighted as I was. “A Platypus?” We both looked at the water bottles we were holding. Six bucks and they throw away the cap so you can’t easily re-use the same one all night. You have to hold onto it while you dance. Big pain in the ass.

Baggi Begovic was rotating in a circle on the stage in front of us. My ears were drowning in “Call of the Wild”. The bright orange earplugs hidden by my mop of long, sweaty hair were doing a passable job at keeping out the highest amplitudes. But the bass was vibrating my bones. I fist-pumped up to the shirtless raver.

Bangarang.

Dancers come out to wave giant glowing balls around for some reason during Sensation in Toronto.

“That is amazing. So smart,” I yelled into his ear. He gave me a huge smile and a thumbs up.

“I know right?!” he yelled back. “I don’t get why everyone doesn’t do this!”

“How did you get it in here?” asked my partner as he joined us. They were searching everyone’s bags at the entrance to the Rogers Centre. Not that well, judging by the pupils of everyone around us. But they were more concerned about liquids, anyway. The event was sponsored by Bud Light. They only sell one kind of drug.

“Just walked right in,” said our new friend, like worrying about security’s sometimes overzealous zero-tolerance policy was naïve of us. “No big deal.” His joyous grin grew even wider as his movements rode the wave of sound washing over us. The beat dropped and he became a one-man riot.

Jackpot. This guy was a pro. My last-minute decision to go casually check out harm-reduction activities at a rave in Toronto was shaping up beautifully.

* * *

This summer I’m doing ethnographic field work and interviews for my Master’s on the subject of drug use, harm reduction and EDM (electronic dance music) culture in Toronto. Techniques that ravers use to minimize the potential harm stemming from drug use are varied and inconsistently applied. But they can be found everywhere, in sometimes subtle ways, embedded in behavioural quirks.

From what I’ve learned so far, there seems to be a hierarchy of harm-reduction priorities for party drug users, personalized based on their individual cost-benefit calculation, the norms perpetuated by the people around them, their access to accurate information, and which drugs they use. Since, when it comes to MDMA (and its cathinone variants), dehydration is the main enemy—an equal-opportunity destroyer of one’s precious verticality—water is the key to success. Water is the source of all solutions to the most dangerous potential disasters that lurk behind every too-strong dose. MDMA raises your body temperature on its own while simultaneously making you want to do things to worsen the impact even more, such as dance for hours without a break. At some point, we’re not sure if it was before or after a few sad and media-hystericalized cases of deaths from dilutional hyponatremia (water poisoning), someone figured out that H2O alone wasn’t enough. And as fast as you can say, “Look at those marathoners, do as they do!”—electrolytes got thrown in the mix. Later came vitamin supplements, testing kits, tums, magnesium, 5-HTP, pre- and post-loading, a haphazard mix of urban legends, old wives’ tales and scientific research. Everyone’s trying to make life easier for the noble raver. But let’s not get too crazy. Just getting these adorable bug-eyed dance machines to drink enough water is step one. It’s still the holy grail of MDMA safe practice in the land of harm reduction advocates.

And here, at my first preliminary outing, was a man who was beautifully exemplifying that practice. His scant clothing ensured that he kept as cool as possible. His sunglasses protected him from both the intense laser lights and the scrutinizing gaze of police officers at the event. And having a constant source of water allowed him to stay hydrated and keep dancing for however long he was there at this eight-hour-long event. These techniques to mitigate the negative effects that the drugs he was on (he told me later, MDMA and “a few bumps” of cocaine) could cause was not only about about minimizing harm, but about not letting anything stand in the way of dancing more, dancing harder, and dancing longer.

* * *

Note: These are experiences and reflections based on my current field work. Real names and specifically identifying features have been changed. My ideas and conclusions are quite possibly totally wrong, so I happily invite you to comment and change my perspective. 


If you like my writing, please consider supporting me on Patreon, or sending some diapers for my baby from my Amazon list 🙂 I’m a low-income grad student and new mom trying to fight against the devastation of the Drug War—every little bit helps.

Find me on Twitter ranting about drug policy, criminal justice reform, anti-capitalism, psychedelics and anthropology: @HilaryAgro